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Sir Arthur Somervell (5 June 18632 May 1937) was an English composer and educationalist. After Hubert Parry, he was one of the most successful and influential writers of art song in the English music renaissance of the 1890s–1900s. According to Michael Hurd, his most important work is found in the five song cycles, particularly his settings of Tennyson in Maud (1898) and Housman in A Shropshire Lad (1904).Michael Hurd. 'Somervell, Sir Arthur', in Grove Music Online (2001)
Somervell's brother, Colin Somervell, became a shoe-manufacturer like their father and later served as High Sheriff of Westmorland in 1916. Colin's son, Maj. Arnold Colin Somervell, O.B.E., served in this office in 1936; later, other members of the Somervell family also served. Burke's Landed Gentry 1952, "Somervell of High Borrans", p. 2359
Somervell was initially educated at Uppingham School and King's College, Cambridge, where he studied composition under Sir Charles Villiers Stanford. From 1883 to 1885 he studied at the High School for Music, Berlin, and from 1885 to 1887 at the Royal College of Music in London, under Parry. He studied composition with Friedrich Kiel. He became a professor at the Royal College of Music in 1894, and conducted his own works at the Leeds and Birmingham Festivals, 1895-97.
In 1890 Somervell married Edith Lance Collet (1861-1944). There were four children: Viola Helen Antonia, Katharine Margaret, Hubert Arthur, and Ronald Arthur. Through their daughter Katherine ('Kit'), who became a dancer with Sergei Diaghilev's Ballets Russes, they were grandparents of writer Elizabeth Jane Howard.
Somervell was also influential in the field of music education. He worked for twenty-eight years as one of His Majesty's Inspectors of Schools (HMI), with special responsibility for the teaching of music.Dibble, Jeremy. 'Somervell, Sir Arthur' in The Oxford Dictionary of National Biography (2004) He was appointed Inspector of Music at the Board of Education and Scottish Education Department in 1901 (succeeding John Stainer). Cox, Gordon (ed.), Sir Arthur Somervell on Music Education, (2003)Charlton, Peter. John Stainer and the Musical Life of Victorian Britain (1984), p. 107-8, 199 In June the following year he received the degree Doctor of Music from the University of Cambridge.
Somervell was knighted in 1929. After retirement he continued as Chairman of the School Orchestra Festivals, Queen's Hall, from 1932 until his death. He died at his home, 105 Clifton Hill, St John's Wood, aged 73. After he was cremated, his ashes were buried in the place of his birth, the Lake District, specifically within Grasmere Cemetery.
Today he is chiefly remembered for his , such as Maud (after Tennyson, 1898) and the first known musical setting (1904) of A. E. Housman's A Shropshire Lad. 'Two Song Cycles by Arthur Somervell', in Opera Today, 2 June 2020 Trevor Hold points out that Somervell had "a genuine, deep affection for literature", reflected in his wide and eclectic choice of texts. Maud was the first successful English song cycle, and "remains one of the masterpieces of English song".Trevor Hold. Parry to Finzi (2002), p. 91 Stephen Banfield considers the Robert Browning cycle A Broken Arc (1923) his best, and 'The worst of it' his best song.Stephen Banfield. Sensibility and English Song (1985), p. 60-61
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Somervell's style was conservative, and shows the influence of Mendelssohn and Johannes Brahms. He achieved success in his own day as a composer of choral works such as The Forsaken Merman (1895), Intimations of Immortality (which he conducted at Leeds Festival in 1907), and a short oratorio The Passion of Christ (1914). For a time this rivalled John Stainer’s ubiquitous Crucifixion in popularity. Obituary, The Musical Times, Vol. 78, No. 1131 (May 1937), p. 464 His only symphony, Thalassa, was first performed in February 1913, and clearly follows on from the example of Brahms. 'British Composer Premieres Vol. 3', reviewed at MusicWeb International The central ‘Lost in Action’ slow movement was regularly played as a stand-alone piece during the First World War. 'Sir Arthur Somervell', biography, Hyperion Records The Clarinet Quintet was first performed by Haydn Draper at the Wigmore Hall on 19 May, 1919, but received few other performances until the recent revival of interest. His Violin Concerto of 1930 was dedicated to the violinist Adila Fachiri. His popular Handel adaptation "Silent Worship" was featured in the 1996 film Emma.
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Categories: 1863 Births, 1937 Deaths, English Romantic Composers, English Classical Composers, Knights Bachelor, People Educated At Uppingham School, Composers Awarded Knighthoods, People From Windermere, Cumbria, Pupils Of Charles Villiers Stanford, Alumni Of King's College, Cambridge, English Male Classical Composers, 20th-century British Male Musicians, 19th-century British Male Musicians, Musicians From Cumbria
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